Troll Museum
Buy tickets

E9Huldrefjord

Pesta

Theodor Kittelsen’s drawing of Pesta: a cloaked old woman with a rake and a broom climbs over the rocks by the sea, under a flock of black birds.
Theodor Kittelsen

In 1346, a tense and unstable Europe faces a new kind of enemy: not a foreign army or invading horde that can be fought off with weapons or a political crisis that can be resolved with an unhappy marriage, but an invisible threat that no one knows how to stop. It will take millions of lives and permanently change the course of history.

This is the story of the Black Death…

≈ 10 min read

Listen · 0:25

AI voice

0:000:25

Our audio guide is being renewed. While we update the exhibition, the new recordings are read by an AI voice in English and Norwegian. They will later be recorded by real voices in more languages. Thank you for your patience!

Did you know?

  • The 14th century Black Death was the second of three plague pandemics. The first affected the Mediterranean and the Near East; it consisted of 18 waves starting in 541 CE with the Plague of Justinian and ending in 767. The third lasted from 1855 until 1960 and was mostly contained to Asia.
  • Norwegian surnames like Ødegaard/Ødegård, Audnedal, Ulland and toponyms like Øyjord, Bakkerud, Nygård come from the time of the Black Death and relate to abandoned, then reclaimed parts of land.

The Black Death in Europe

3 min

The Black Death was a devastating plague pandemic that spread across Europe, the Middle East, and North Africa between 1346 and 1353. It killed an estimated 30-60% of Europe’s population. The massive loss of life reshaped societies, weakening existing power structures and changing how people lived and worked.

  • 14th century Europe

    1 min

    The Late Middle Ages have started in Europe. Winters are getting colder and longer as the continent enters the Little Ice Age. Malnutrition and disease are common among the peasants and laborers. Life is made harder by frequent conflicts between local landowning nobles and wars between increasingly centralized monarchies.

    Despite strong trading ties between European countries and a growing merchant class in cities, the vast majority of the population still works the fields, lives in crowded homes that house multiple generations of families, and enjoys few, if any, benefits of the contemporary advancements in art and science. And things are about to get worse.

    The bacterium Yersinia pestis arrives in Europe from Asia in the mid-14th century on flea-infested rats and sick Mongol and Tatar invaders. It spreads quickly from Italian trade cities to the rest of the continent, as well as the Middle East and North Africa via merchant ships. The world doesn’t know it yet, but this is the start of the Black Death: one of the most fatal pandemics in history.

  • The Black Death

    2 min

    It is the summer of 1347. The Crimean city of Kaffa has just survived a two-year siege by the Mongol Golden Horde. But now, a deadly disease is rampaging through the city. Italian merchants who are there to conduct trade start fleeing to Constantinople. Unknowingly, they are also bringing Yersinia pestis to Europe. The combination of tight living quarters and bad hygiene helps the infection spread, especially in towns.

    Those unlucky enough to be bitten by a carrier flea quickly start developing symptoms: high fever, headaches, joint aches, nausea, and vomiting. Within a few days, they develop buboes: aching, swollen lymph nodes filled with dark blood and pus. The flesh around the buboes turns black as it starts to rot. Within 8 days, 80% of the infected die from the bubonic plague.

    By 1348, the disease has evolved. It now attacks the lungs and causes fever, coughing, and bloody sputum. This new strain of pneumonic plague is even deadlier: 90% of the infected die within 5 days. What is worse, the droplets they cough up spread the bacterium, allowing the disease to be transmitted from person to person.

    The rarest form of the disease, the septicemic plague, appears sporadically in the later years of the pandemic but never becomes widespread. The sick die too quickly to spread the infection. After only two days with high fever and purple skin patches, almost all of them are dead.

    For four years, the plague sweeps through Europe, leaving only small pockets of isolated populations untouched. There is no cure. But some measures are still taken to slow the spread of the disease. Isolating the sick is found to help protect the general population from infection. Burning corpses of the infected dead and their possessions becomes commonplace. People are advised to carry purifying herbs and wear perfumes that are supposed to cleanse the air as well as pray for absolution in case the plague is a punishment from God. Despite this, deaths caused by the plague mount.

    By 1351, more 75 million people are dead. The population of Europe has halved in less than 5 years. In the cities that are hit hardest, as many as 80% of the inhabitants are gone. There are simply not enough people left to sustain the pandemic. The Black Death has burned itself out.

  • What comes after

    1 min

    The plague leaves devastation in its wake: empty villages, entire families wiped out, and a population that won’t recover for another 200 years. Though clergy and nobility suffer casualties, the poor are the hardest hit. Yet, living conditions improve. Food is no longer scarce and the shortage of labor leads to higher wages. Social mobility increases as serfdom all but disappears and now empty land gets new owners. Those who escaped the Black Death live better lives, at least for a while.

The Black Death in Norway

3 min

The Black Death reached Norway in 1349, likely arriving by ship in the city of Bergen. By the middle of 1350 the worst of the epidemic had passed, but the plague is estimated to have killed around 60 percent of the population, making Norway one of the hardest-hit regions in Europe. The resulting demographic shock weakened Norwegian society and institutions and contributed to the country’s eventual loss of independence to Denmark.

  • Pestilence is coming

    1 min

    In the 1300s, Norway is a country on the outskirts of European society. Despite a vast territory and a powerful navy, it is on the back foot in relations with other European powers: decentralization weakens its ruling class and a focus on regional alliances means fewer agreements with Central Europe. Harsh weather, cold winters, and short growing periods make agriculture difficult; many peasants rely on fishing and animal husbandry to supplement their income. Trade is a necessity, both within and across borders.

    The small population is still mostly concentrated in the south, living in communities that are tightly knit but far away from each other. The average person is a laborer, though not a serf: more than half of the population is free and even owns land. Though the nobility and aristocracy are powerful, they are not as many or as rich as other European royalty, making class differences and social distances between peasants, merchants, and the nobility smaller than in most of Europe.

    None of this can protect Norway from the biggest threat the European continent is facing at this time. A ship docks in Bergen in 1349. It’s bringing grain from Britain but also carries uninvited guests: flea-infested rats. Two years after it reached Italy, pestilence arrives in Norway.

  • Pestilence in the home

    1 min

    Shortly after disembarking, the sailors from the plague ship start getting sick and dying. It’s not long before the local population follows. Although the ship is sunk, the damage is already done. Bubonic and pneumonic plague spread quickly in every direction.

    The unique social life and accompanying customs surrounding illness and death in Norway contribute to the high number of infections. Help is freely offered to the sick: not just family members, but neighbors, too, cook meals for the ill, attempt to cool them from the fever, work on the family farm, and do household chores for the afflicted. Priests and even bishops, regularly visit infected households to pray over the sick and administer last rites. Bodies of the dead are visited by family and friends who wish to say their goodbyes and then buried communally. Quarantine, isolation, and social distancing are practically non-existent. In this way, people continuously, unknowingly expose themselves and others to the disease.

    It does not take long for the plague to bring Norway to its knees. By the first half of 1350, mere months after it arrived, the disease has run its course. When all is said and done, two out of every three people in the country are dead. Above the Arctic Circle, proudly independent and self-sufficient, Northern Norway stands largely unaffected.

  • Pestilence leaves

    1 min

    Already a minor player on the European stage, Norway is completely devastated by the shocking death toll. Not only the lower classes, but also the clergy and nobility are significantly weakened in the aftermath. Hundreds of farms are abandoned and whole villages are wiped off the map. State and church coffers are significantly lighter than before. In an attempt to combat the internal instability and complete collapse of international influence caused by the plague, Norway reluctantly enters the Kalmar Union with Sweden and Denmark in 1397.

    In the long term, the Black Death takes even more from Norway. The weakened ruling class is not able to stand up to Denmark’s growing influence, especially after Sweden leaves the Kalmar Union in 1523. By 1536, Norway is subjugated: no more than a Danish province ruled from Copenhagen, a kingdom in its own right in name only. Independence from Denmark would not come again until 1814.

Pesta

3 minRead moreShow less

Published in 1900, The Black Death is one of Theodor Kittelsen’s most famous works. It combines 15 poems with 45 illustrations inspired by legends about the plague in Norway. The disease appears as Pesta, an old woman who travels the land with a rake and a broom: where she sweeps, all die; where she rakes, some survive.

In 1894, Theodor Kittelsen becomes fascinated with the history and legend of the Black Death. It’s grim, macabre, eerie: exactly the atmosphere he enjoys creating in his art. Historical documentation is plentiful in the annals of visiting Icelandic clergymen, but it is primarily the ample surrounding mythology that inspires him.

Supposedly, the ship that brought the plague to Norway arrived with no crew: a ghost ship that local dock workers had to rescue so as not to let the grain it was carrying go to waste. Allegedly, in some remote villages, the only survivors were the children who ran away to the forests nearby. They survived on berries for months until they were found by hunters looking for grouse, emaciated and afraid and near-feral from the ordeal. Apparently, a family in small village somewhere in South Norway was willing to burn their own house with their children inside to ward off the plague.

The more Theodor learns of these stories, the more an image of Pesta, pestilence personified, crystallizes in his head. He pictures her just like the legends describe: as an old woman, short and ugly, with gray-yellow-green skin and sunken eyes, dressed in dark rags, a ghoulish figure that travels across the land and leaves death in her wake.

For two years, Pesta preoccupies his mind. He draws her as an ominous stranger in the familiar landscapes of Western and Northern Norway. She carries a broom and a rake; where she sweeps with the broom, everyone dies and where she uses the rake, some survive. He writes about her, too, stories and verses in a style inspired by medieval writings and Andreas Faye. The words make it clear that she does not care about who she runs into on her journey: the young and the old, the rich and the poor, the kind and the unkind, none are spared. So cruel is she that in the stories even trolls take pity on her victims and help the orphans she leaves behind.

When all is said and done, Theodor is left with 15 poems and short stories and 45 illustrations. He will publish them under the title The Black Death in 1900. It will become one of his most famous works, considered to be a pinnacle of his career.

  • Sweeping every corner

    1 min

    Pesta sweeps every single nook. No more raking, sweep, sweep! Time is short, all must come along. Peter and Paul, one and all.

    Pesta savors the good weather, dreary and dark. It snows and sleets, thaws, drips, sticks and spills. The broom sweeps with splashes.

    The broom sweeps in nooks and crannies. All is somber, so deliciously somber. The dead and the dying, the rot and decay. Walls crack, beams break. Leaves fall. The skies weep snow and sleet.

We use cookies for basic visit analytics only, nothing is sold, nothing is shared. You can change your mind any time.